The Folio Society, whose offerings always brings an onset of book lust, has a splendid facsimile edition (left) that will set you back a mere $180. If your house lacks a copy of the Alice in Wonderland version of the story, we have one for $3.98.
This description of their new edition of The Sound and the Fury describes how the Folio Society pulled off an amazing literary and typographic coup to have the book printed as Faulkner envisioned:
The Sound and The Fury is acknowledged as one of the masterpieces of 20th-century literature. It takes the modernist narrative devices of stream-of-consciousness, time-shifts and multiple changes of viewpoint to an unprecedented level of sophistication. Faulkner was well aware that readers would find it difficult, and employed italic and roman type to convey its ‘unbroken-surfaced confusion’, but when his agent attempted to standardise and simplify the system this prompted an angry objection from Faulkner. He quickly jotted down eight time-levels in Benjy’s section, ‘just a few I recall’, and wished that it could be ‘printed the way it ought to be with different color types’, but he concluded pessimistically, ‘I don’t reckon … it’ll ever be printed that way’.Would having this edition encourage you to read the book?
The Folio Society determined that it could be printed that way, and drew on the expertise of two noted Faulkner scholars to work on fulfilling Faulkner’s idea. Stephen M. Ross and Noel Polk undertook the painstaking task of identifying each different time-level to be coloured, while keeping the original italic/roman shifts. We can never know if this is exactly what Faulkner would have envisaged, but the result justifies his belief that coloured inks would allow readers to follow the strands of the novel more easily, without compromising the ‘thought-transference’ for which he argued so passionately.